This oddity is one of Brian Eno’s most interesting deep cuts. It was the B-side to King’s Lead Hat, the single from his 1977 solo album Before And After Science.

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The first time I came across Grace Jones was in 1977 with her radical disco-meets-bossa nova take on Edith Piaf’s signature song La Vie En Rose.

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This was always my favourite song from Low. And this is the story of the day David Bowie played it for me in private – at my own request.

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In March 1977 I went to the Rainbow Theatre, scene of many of my favourite gigs, to see Iggy Pop for the first time – with a band including David Bowie.

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When it comes to the best disco song of all time, I Feel Love is surely in a class of its own. But if we exclude Moroder’s masterpiece, then Evelyn ‘Champagne’ King’s song Shame is well worth a shout.

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Following my accidental discovery that Lene Lovich wrote the lyrics, here is French disco artist Cerrone’s electronic opus Supernature.

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A lot of bands jumped on the punk bandwagon in 1977, rebranding themselves with spiky hair and safety pins, jagged guitar riffs and estuarine vocals. None were worse, or less convincing, than The Banned.

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The Exile’s entire recording career – three EPs – was over by the end of 1977, making them trailblazers in the punkosphere – and earning them a reputation as the ‘Godfathers of Scottish Punk.’ (more…)

I’m ashamed to admit I found This Heat too experimental, too avant-garde, too noodly and (dare I say it) too proggy to appreciate them at the time. And for that I feel foolish.

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While some bands tried to pose as punks and failed miserably, others carried it off with aplomb – like Cardiff’s one-hit wonders The Table with their minor classic Do The Standing Still.

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