I can’t pretend I was listening to disco music in 1979: I was parading around in a leather jacket festooned with badges proclaiming punk bands and anti-social slogans.

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In the pantheon of disco music there are two moments that tower above all others. The first is Donna Summer’s I Feel Love – surely the greatest disco song of all time – and this is the second.

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Linda Lewis was the first female black British singer I ever saw on TV. They were a rarity in the early Seventies – in fact she’s the only one I can think of.

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I never thought I’d be singing the praises of disco tunes, least of all from a period when I was plunged deep in punk and post-punk. Until I remembered this hit by Odyssey.

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London collective Hi-Tension flew the flag for the disco offshoot of Brit-funk with their self-titled hit single. I have to confess the song – and entire genre – passed me by completely at the time.

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You didn’t have to like disco to like Chic, who always claimed to be a rock band for the disco generation. And you didn’t have to like Le Freak to find yourself singing along.

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Has there ever been a more perfect match of a song to the opening scene of a movie? It’s impossible to think of Saturday Night Fever without the bouncy rhythm of Stayin’ Alive coming into your head.

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The first time I came across Grace Jones was in 1977 with her radical disco-meets-bossa nova take on Edith Piaf’s signature song La Vie En Rose.

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Say what you like about Boney M, they were an entertaining fixture in the singles chart all through the second half of the Seventies.

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Like most music fans, I first set eyes on Amanda Lear in 1973 as the coquettish vamp on the cover of Roxy Music’s second album, For Your Pleasure, sheathed in black leather with a black panther on a leash.

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