East London rapper Ghetts creates a chill vibe for his afrobeats and amapiano-influenced tune Tumbi.
Billie Eilish contemplates death and finds consolation on this song from her ironically titled second album Happier Then Ever.
This is my new favourite duet. Which is quite something considering I’m not a fan of Aussie punksters Amyl & The Sniffers.
Anika has carved out a niche as a kind of modern-day Nico, bringing glacial cool to her dub-infused electro music.
This is The Stranglers song Golden Brown as you’ve never heard it before – transformed into a slice of smooth jazz. And it’s wonderful.
Today I must tip my imaginary Stetson to my pal Craig Poland Smith for unearthing this gem for me by the literally named family quartet Southern Raised.
Trans duo Fado Bicha take traditional Portuguese fado music in a new direction with their eclectic collaborations.
It doesn’t take a genius to work out why success somehow eluded a band called Tonstartssbandht. You only have to imagine being a radio DJ apprehensively awaiting the end of a tune.
Melts are a band from Dublin that sound like the missing link between Joy Division and The Horrors, blending big post-punk guitars with psychedelic flourishes of organ and the detached vocals of Eoin Kenny.
I was wondering what to post today and then I realised the answer was starting me in the face on New Year’s EVE. So here she is with her 2001 hit Who’s That Girl?
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