Cheetah Chrome was “a one-man hurricane tearing up the musical landscape with his feral guitar riffs and manic energy.” That’s how his old bandmates from The Dead Boys paid tribute to the punk pioneer following his death at the age of 71. 

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Bob Babbitt was one of only two white musicians among the core of 13 session men in Motown’s legendary studio group The Funk Brothers.

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Carol Kaye is walking, talking, string-plucking proof that playing bass guitar is not exclusively a man’s game.

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Jack Bruce was widely revered in the late Sixties and early Seventies for his work as one-third of the first supergroup, Cream.

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Jean-Jacques Burnel, or “JJ” as he was universally known, was the French bassist who gave The Stranglers their distinctive sound.

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Oxford’s Samurai Seven Reunite After 25 Years – And One Shooting

Basslines #11: Jah Wobble was the self-taught bassist in Public Image Ltd and moved from postpunk into funk, jazz, global folk and more.

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Basslines #10: Bernard Edwards is the man behind a bassline that surely deserves that most overused of adjectives – “iconic” – and Good Times is arguably the first song I think of (alongside I Feel Love) when I hear the word disco.

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Basslines #9: Robbie Shakespeare was widely regarded as the king of reggae bass guitarists, usually as one half of the “Riddim Twins” with drummer Sly Dunbar.

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