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Long Island rapper Roc Marciano samples old soul and jazz records and Memphis horrorcore instrumentals to create his unique style of hip-hop.
This powerfully emotional feminist anthem works like a sequel to Dolly’s Nine To Five, with a video to match.
When it comes to jazz and classical music, the examples I like best are when they incorporate subtle electronic undertones. That’s the case here with German composer Ralph Heidel, though that element is almost subliminal on this track, Wake Up.
I was always put off listening to Viagra Boys because of their terrible band name. Which turns out to have been my loss.
I fell in love with Ellen Foley’s album Night Out the moment I heard this bombastic and blissful opening track – We Belong To The Night. With its piano runs, crunchy guitars, loud drums and epic Wall of Sound production, it could have come from a female-fronted remake of Born To Run.
Bowie’s album track Something In The Air from Hours was remixed with the addition of Mike Garson’s piano for the movie American Psycho.
Here’s a deep cut from Santana… No, it isn’t. It’s by a school band from Nigeria called Ofege, recorded back in the early ’70s.
Ghost Woman make the kind of atmospheric, moody music that instantly appeals to me – slow and spacey, trippy and twangy, jangly and hazy.
Los Bitchos say of their sound: “We wanted to sound like Van Halen and Cocteau Twins… but from Turkey.” You can’t get much more niche than that.
Valerie June breaks all the rules by taking on Mazzy Star’s unimprovable song Fade Into You and absolutely nails it.
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