Culture’s debut album Two Sevens Clash was a landmark release back in 1977. Joe Gibbs and I-Roy teamed up on the 12-inch version.

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Words can’t express how much I have loved this song from the very first time I heard it, with its litany of cultural icons that we all admire.

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Doll By Doll were something of a cult band in the punk/New Wave era, thanks mainly to the larger than life personality of their Scottish front man. (more…)

When it comes to music, it doesn’t take a lot to make me cry. Marianne Faithfull does it every time with The Ballad Of Lucy Jordan.

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Before Brian Eno and David Byrne came up with the idea of sampling snatches of ‘found sound’ from obscure transmissions, Holger Czukay was already at it.

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Black Uhuru were everywhere in the late ’70s. It seemed they would step into Bob Marley’s shoes after his death in 1981 – only for their lead singer, Michael Rose, to leave the group.

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The summer of ’79 witnessed one of those rare occasions when a reggae song struck a chord with the entire nation – and was the first lover’s rock tune to be sung on Top of the Pops. Dennis Bovell wrote, produced and played the music on Janet Kay’s lover’s rock classic Silly Games – then stripped it back to this killer dub. (more…)

Last night I went to see music legend Michael Rother and took my chum and self-styled (kraut) ‘rock expert’ David Stubbs along to the Barbican to help me identify some of the tunes.

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When what the music press lazily dubbed “The Scottish Sound” emerged at the end of the Seventies, Josef K were the yin to Orange Juice’s yang – the dark underbelly to their bright and sparkly pop.

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Lizzy Mercier Descloux was one of the first artists to make a mark on the Ze label as the No Wave movement gathered momentum in New York.

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