Postpunk
I love a new discovery. And the strangely named pôt-pot are exactly my cup of tea with their propulsive psychedelic krautrock.
Comet Gain went back to the garage for their DIY album Réalistes in 2002, with this big dirty ballad one of its highlights.
Suede return with new single Disintegrate from what Brett Anderson descirbes as their post-punk album, Antidepressants.
Rarely has a band changed direction quite so radically, frequently and successfully as The Thompson Twins.
This is not just a great tune but a cleverly constructed composition – created by combining two tracks recorded 37 years apart.
Melts are a band from Dublin that sound like the missing link between Joy Division and The Horrors, blending big post-punk guitars with psychedelic flourishes of organ and the detached vocals of Eoin Kenny.
Keith Levene re-imagined and re-recorded PiL’s unreleased fourth album in 1984 as the mainly instrumental Commercial Zone.
After a gap of 45 years and a long career in fashion, original Siouxsie & The Banshees guitarist John McKay releases his first solo album of archive material.
Fontaines D.C. reach a new high with their latest single, a euphoric hymn to youth and a plea for hope in an uncertain world – It’s Amazing To Be Young.
Genre-bending punk survivors The Mekons turn their ire towards British imperialism in general, and the Irish potato famine in particular, on a new album called Horror.
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