I love a new discovery. And the strangely named pôt-pot are exactly my cup of tea with their propulsive psychedelic krautrock.

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Comet Gain went back to the garage for their DIY album Réalistes in 2002, with this big dirty ballad one of its highlights.

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Suede return with new single Disintegrate from what Brett Anderson descirbes as their post-punk album, Antidepressants.

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Rarely has a band changed direction quite so radically, frequently and successfully as The Thompson Twins.

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This is not just a great tune but a cleverly constructed composition – created by combining two tracks recorded 37 years apart.

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Melts are a band from Dublin that sound like the missing link between Joy Division and The Horrors, blending big post-punk guitars with psychedelic flourishes of organ and the detached vocals of Eoin Kenny.

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Keith Levene re-imagined and re-recorded PiL’s unreleased fourth album in 1984 as the mainly instrumental Commercial Zone.

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After a gap of 45 years and a long career in fashion, original Siouxsie & The Banshees guitarist John McKay releases his first solo album of archive material.

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Fontaines D.C. reach a new high with their latest single, a euphoric hymn to youth and a plea for hope in an uncertain world – It’s Amazing To Be Young.

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Genre-bending punk survivors The Mekons turn their ire towards British imperialism in general, and the Irish potato famine in particular, on a new album called Horror.

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