Melts are a band from Dublin that sound like the missing link between Joy Division and The Horrors, blending big post-punk guitars with psychedelic flourishes of organ and the detached vocals of Eoin Kenny.

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Keith Levene re-imagined and re-recorded PiL’s unreleased fourth album in 1984 as the mainly instrumental Commercial Zone.

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After a gap of 45 years and a long career in fashion, original Siouxsie & The Banshees guitarist John McKay releases his first solo album of archive material.

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Fontaines D.C. reach a new high with their latest single, a euphoric hymn to youth and a plea for hope in an uncertain world – It’s Amazing To Be Young.

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World Domination Enterprises never managed to live up to their ambitious name, but have been posthumously recognised as postpunk pioneers.

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Genre-bending punk survivors The Mekons turn their ire towards British imperialism in general, and the Irish potato famine in particular, on a new album called Horror.

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Here is Nick Cave serenading his wife Susie with words of love in Palaces Of Montezuma, in his late-2000s side project Grinderman.

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Low’s wonderful Christmas album is a staple in my house at this time of year. This is my favourite song.

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The Fall might not be the most obvious band to convey the festive spirit. But Mark E Smith and chums do a decent job of tackling this old carol.

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I was always put off listening to Viagra Boys because of their terrible band name. Which turns out to have been my loss.

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