I fell in love with Ellen Foley’s album Night Out the moment I heard this bombastic and blissful opening track – We Belong To The Night. With its piano runs, crunchy guitars, loud drums and epic Wall of Sound production, it could have come from a female-fronted remake of Born To Run.

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Here’s a deep cut from Santana… No, it isn’t. It’s by a school band from Nigeria called Ofege, recorded back in the early ’70s.

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Orchestral Manoeuvres In The Dark came up with their eco-anthem Electricity, the foundation stone of synthpop, in the summer of 1979.

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Bob Dylan’s delivery drips with sarcasm on the opaque lyric of Idiot Wind, from my favourite album Blood On The Tracks, but the meaning remains elusive.

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Diana Ross will always enjoy a special place in my affections – the Queen of Motown sang the first song on the first album I ever bought.

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Chicago blues and soul man Lou Pride recorded this Northern Soul favourite after moving down south to El Paso in 1972.

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Here’s a tune from the early days of reggae by Nora Dean, who earned herself a place in the niche genre of “naughty” reggae, best known for her saucy hit Barbwire (In His Underpants).

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Happy Hallowe’en folks! And nothing says Hallowe’en like a Northern Soul banger with a spooky title.

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The growling blues-boogie of La Grange gave ZZ Top their big breakthrough in 1973, though they were already on to their third album by then – and would go on to enjoy a second lease of life in the ’80s.

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The best thing about Television Personalities – the DIY punk band, not the narcissists on your telly – is their titles incorporating famous figures. And this song.

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