2021
Mattiel come from the Deep South and have roots in vintage soul and blues – but love to play cover versions of English bands.
I admire the fact he was still writing at 88, and he can certainly spin a good yarn after all those years. But, oh man, John LeCarré’s latest spy saga is filled with excruciating anachronisms that make the 21st century seem like a foreign country.
A chilling psychodrama about coercive control, Spencer works equally well as a Hitchcockian ‘woman in peril’ horror and as a true-life insight into the dynasty that has ruled Britain for more than a century.
When I first saw and heard Fontaines D.C. they were the most exciting new guitar band I’d seen in decades. I wasn’t the biggest fan of their second album but Dave Clarke’s remix transforms the song into a dancefloor banger.
I was hoping to see Fightmilk on Friday night at a night of LGBTQ+ music at the Sebright Arms, headlined by Belfast’s energetic feminist punks Problem Patterns. But because my friend Alex was late after missing his bus, and his train, I only caught their last number as they were the support act.
Last night I went to see these guys, Dead Writers, at a goth-filled Camden pub with the apt name The Black Heart, on my way back from cricket at Lord’s. And I had a very good time.
Hannah Hu and The Specials perform their spellbinding reggae-fied version of the Talking Heads song Listening Wind from their classic album Remain In Light.
Mike Nesmith was the tall one with the long sideburns, the green bobble hat and the languid Texan drawl. And The Monkees were one of the first pop groups I loved. (more…)