This song has been covered numerous times by a who’s who of soul singers. This is the original – the first of two versions by bluesman Latimore – from 1974.

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Last night I finally got to see Mary Coughlan live for the first time – something I’ve wanted to do ever since I got a cassette of her debut album Tired & Emotional in 1985.

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Clarence Gatemouth Brown was already in his seventies when he recorded this memorable blues number. Just don’t call it blues.

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Tony McPhee never achieved the fame and fortune of Eric Clapton, Jimmy Page or Jeff Beck, his fellow British guitarists to emerge from Britain’s blues boom in the 1960s.

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This song has history. In 1955 it gave Johnny Ace his biggest hit single… but only after his unusual death at the age of only 25.

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Blues legend John Lee Hooker stretched out his already lengthy I Hate(d) The Day I Was Born to nearly 20 minutes in San Francisco in 1964.

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I don’t know if psychedelic drugs were involved in the making of this song but I would be highly surprised if they weren’t. Then again, just listening to it is a mind-bending trip.

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I can’t pretend i was ever a big Fleetwood Mac fan.
So the death of Christine McVie didn’t resonate with me as strongly as with those millions who bought Rumours. But the outpouring of love and sadness for her death is a poignant reminder of the unifying power of music.

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A long time ago I took my folk-fan brother-in-law, visiting from Ireland, to the Hackney Empire to see Bert Jansch. This was not the rather more celebrated affair with Pete Doherty, which came later; it was just Bert and his acoustic guitar.

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I’m not sure where I stumbled across this funky slice of contemporary blues with undertones of the Sopranos theme song. (more…)