Here’s another of those great first-wave postpunk bands from Edinburgh. I’ve still got their debut single, Horrorshow, and their only album, Author! Author!

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Dead Fingers Talk are another of those bands that shone brightly for a brief moment before slipping through the cracks in the immediate aftermath of punk.

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Flowers were another of the Scottish postpunk bands that blossomed briefly, recording only 11 songs over the course of their short career.

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Back in 1977 I don’t think I knew what rockabilly was, and I’d never heard Elvis Presley’s early Sun Sessions. Then along came a cool dude with impeccable punk credentials called Robert Gordon.

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This wasn’t The Members’ first release – Fear On The Streets introduced them on the Streets compilation – but it was their first single, released on Stiff Records in 1978.

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The Exile’s entire recording career – three EPs – was over by the end of 1977, making them trailblazers in the punkosphere – and earning them a reputation as the ‘Godfathers of Scottish Punk.’ (more…)

I’m ashamed to admit I found This Heat too experimental, too avant-garde, too noodly and (dare I say it) too proggy to appreciate them at the time. And for that I feel foolish.

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The Jolt were the first punk band to play a gig in Glasgow, and the first to sign with a major label when they inked a deal with Polydor. But they seem to have been forgotten, even in their native Scotland.

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This stark, minimalist single is a landmark release in the birth of electronica and its commercial cousin synthpop. It’s the entire recorded output of The Normal, alter-ego of Daniel Miller – and the first release on his label Mute Records. (more…)

I’ve heard it said that Gloria Mundi were the spark that lit the flame of goth icons Bauhaus. Apparently it was after gigging with them that Bauhaus completely changed their music and presentation.

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