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Not even hardcore punks from the Class of ’77 are likely to remember Kleenex – Switzerland’s solitary contribution to punk. Or their two singles on Rough Trade that went on to inspire the Riot Grrrl movement.

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The Slits’ debut Cut has come to be regarded as one of the classic post-punk albums. But they sounded nothing like that whenever I saw them live: for the first couple of years they were widely mocked as a joke band. (more…)

Here’s a recording that never gets mentioned in lists of the best cover versions… but it probably should. It takes the Righteous Brothers song in an entirely new direction. (more…)

I didn’t realise my copy of Echo & The Bunnymen’s debut single, The Pictures On My Wall, was one of a limited edition of 4,000. I bought it in May 1979 and a few months later I went to see them for the first time at the Electric Ballroom in Camden. (more…)

Late-seventies Liverpool again… and one of my favourite singles of all time. Pete Wylie might not have had the public acclaim of his erstwhile bandmates Ian McCulloch and Julian Cope but he was arguably the most talented of a supremely talented trio. He certainly thought so. (more…)

Liverpool had never loomed large in my musical education. I was never sold on Cilla or Gerry & The Pacemakers or even the big names like, er, The Swinging Blue Jeans. Merseybeat left me cold. Until I heard the Teardops. (more…)

Punk before punk was invented, The New York Dolls made a sensational debut on British television’s Old Grey Whistle Test in 1973 – much to the disgust of host Bob Harris. (more…)