Dry Cleaning describe a visit to the zoo on Kwenchy Kups, one of the many standout songs on their second album Stumpwork.

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This is the opening track from Sonic Youth’s third album, EVOL, which is the only one I own, alongside a 12-inch single of Death Valley ’69.

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The Fall perform the opening song from their final album for Beggars Banquet, the dance number Dead Beat Descendant.

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Clock DVA, more than anyone except perhaps their fellow travellers Cabaret Voltaire, reflected the industrial heartbeat of Sheffield. Literally so.

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Irish band Nerves are not for the faint-hearted. They use texture and volume to create vast emotional canvases of noise. (more…)

Everything about this song screams “1979” – a transitional year when the first wave of punk was evolving into the New Wave and its various sub-genres: post-punk, power-pop, synth-pop.

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Another one gone: this time it’s Keith Dobson, aka Kif-Kif of Here & Now and World Domination Enterprises.

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I love a new discovery. And the strangely named pôt-pot are exactly my cup of tea with their propulsive psychedelic krautrock.

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Comet Gain went back to the garage for their DIY album Réalistes in 2002, with this big dirty ballad one of its highlights.

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Suede return with new single Disintegrate from what Brett Anderson descirbes as their post-punk album, Antidepressants.

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