Like everybody else I didn’t know whether to laugh or gasp in admiration when I first heard this. The Flying Lizards took Eddie Cochran’s 1958 hit Summertime Blues and deconstructed it to the point where the original barely existed.

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Moon Martin was one of those characters who hitched a ride on the New Wave and followed its tributary into the smoother waters of Power Pop.

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The very first time I heard the twang of that guitar motif, wobbling and bending out of shape, I was hooked on what must be one of the strangest love songs of all time. And it’s stayed in my head since 1978.

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Hugh Mundell could have been a contender. He was once heralded as the rising star of roots reggae – as a singer and DJ (Jah Levi) – before he was shot dead at the age of 21 – after an argument over a fridge.

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Gina X Performance were ahead of their time in 1978 with their dark, detached synthpop and the glacial vocals of Gina Kikoine.

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When I first heard Domino on The Cramps’ landmark debut Gravest Hits EP, prompting the birth of psychobilly in 1979, I had no idea it was a Roy Orbison song.

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There’s a film in cinemas right now about a long-forgotten British funk band called Cymande, who disappeared 50 years ago and have decided to reform. Change one or two details – replace 50 with 40 and change funk to dub reggae – and you could be talking about Creation Rebel.

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Annette Peacock’s steamy, sinuous blues-funk jam My Mama Never Taught Me How To Cook is a sultry coming-of-age tale of sexual liberation with disturbing undertones.

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Over the years there have been songs that caught my imagination without the artist ever finding a place in my musical life. This is one of those songs – and Bob Seger & The Silver Bullet Band are one of those artists.

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