This oddity is one of Brian Eno’s most interesting deep cuts. It was the B-side to King’s Lead Hat, the single from his 1977 solo album Before And After Science.
The first time I came across Grace Jones was in 1977 with her radical disco-meets-bossa nova take on Edith Piaf’s signature song La Vie En Rose.
Listening now to their debut single, Tell Me Your Plans, it’s hard to see (or hear) how The Shirts were ever considered a punk band. Yet they were staples at CBGBs in that golden era of the mid-Seventies that spawned The Ramones, Television, Talking Heads and Blondie.
Sometimes a song just hits you right there, regardless of genre or anything else. In 1978 this one-hit wonder got me right from that opening acoustic guitar.
It’s hard to overestimate the sense of anticipation and mystery surrounding the return of Johnny Rotten after the dismal demise of The Sex Pistols onstage in San Francisco in January 1978.
This was always my favourite song from Low. And this is the story of the day David Bowie played it for me in private – at my own request.
Say what you like about Boney M, they were an entertaining fixture in the singles chart all through the second half of the Seventies.
In March 1977 I went to the Rainbow Theatre, scene of many of my favourite gigs, to see Iggy Pop for the first time – with a band including David Bowie.
As punk was mutating and evolving in 1978, a new band called Japan surfed in on the New Wave. I went to see them at the Music Machine, attracted mainly by their image.
Like most music fans, I first set eyes on Amanda Lear in 1973 as the coquettish vamp on the cover of Roxy Music’s second album, For Your Pleasure, sheathed in black leather with a black panther on a leash.
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