You may not have heard of him, and neither had I, but Wizz Jones was a pioneering figure in British folk: a man described by Bert Jansch as “the most underrated guitarist ever.”

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Kaylee Rose is a Nashville-based artist who taps into tradition with this song about a cheating partner, set to a simple backing. It’s the archetypal “three chords and the truth” – the phrase Harlan Howard used in the 1950s to sum up country music’s appeal.

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The sun has come out at last and this tune takes me back to the dancefloors of Ibiza where I wangled my way on work freebies a few times in the early ’90s.

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The Numbers Band (or, if you prefer, 15-60-75) formed in Ohio in 1969 and are still going strong with original frontman Robert Kidney.

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All-female punk band L7 made an X-rated impression on TV audiences with their first and last appearance on UK television in 1992.

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Melts are a band from Dublin that sound like the missing link between Joy Division and The Horrors, blending big post-punk guitars with psychedelic flourishes of organ and the detached vocals of Eoin Kenny.

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David Thomas regarded this as the nearest he ever came to writing and performing a straight-up pop song. Which tells you all you need to know about the Pere Ubu frontman, who has just died.

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If World War I was “the war to end all wars” then Warfare ought to be marketed as the war film to end all war films. It’s that good.

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Ashley Johnson sings this heartbreaking song at the end of the powerfully poignant second episode of the second season of The Last Of Us.

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Excuse the sentimentality but Patti Smith wrote this song as an elegy for a previous Pope, so it seems a suitable epitaph for Francis, who died today.

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