Requiem has to be the song to remember Geordie Walker, the Killing Joke guitarist who has died. Not just for its title but for his vast metallic slabs of electric guitar that scythe through the synth bass.
Adrian Sherwood at the controls for this dub remix of Panda Bear and Sonic Boom’s 2022 album Reset, aptly titled Reset In Dub.
I was hoping to see Fightmilk on Friday night at a night of LGBTQ+ music at the Sebright Arms, headlined by Belfast’s energetic feminist punks Problem Patterns. But because my friend Alex was late after missing his bus, and his train, I only caught their last number as they were the support act.
Cat Power captures much of Bob Dylan’s original magic in her cover of Ballad Of A Thin Man from her song-for-song note-for-note recreation of his 1966 concert at the Royal Albert Hall.
Irish quartet ØXN play “experimental doom folk” and their debut CYRM has more in common with avant-garde noise bands than campfire folk.
Slate are a young post-punk quartet from Cardiff barely out of their teens. With their love of poetry and epic widescreen sound, they could be the Welsh Fontaines D.C.
Little Richard was not just one of the formative figures in the birth of rock’n’roll but an influence on those to follow. Even if he did ‘borrow’ his own sound and look from a little known predecessor.
Reggae and blues, country and funk, soul, disco – even jazz in this month’s playlist. Take your pick from vintage Janis Ian to recent Carla Bley (RIP), the best Velvets track ever, and the one decent track from the new Stones album. And much more.
Killers Of The Flower Moon
Director: Martin Scorsese
Cast: Robert De Niro, Leonardo DiCaprio, Lily Gladstone
Screenplay: Eric Roth, Martin Scorsese.
Running time: 206 minutes.
I confess I had some apprehension over its length, but Killers Of The Flower Moon is well worth the numb bum. And we can surely expect Oscar nominations for the three principals – De Niro, DiCaprio and Lily Gladstone – as well as Scorsese himself.
Even in the darkest depths of my lifelong jazzophobia I had a soft spot for Carla Bley. I’m not sure why; maybe because a female jazz musician is such a rarity.
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