I think the only Jeff Beck record in my collection is the single Hi Ho Silver Lining, which does not exactly show the guitarist at his virtuosic best. But this does: an incendiary live performance of a tune from his instrumental album Blow By Blow, recorded at Ronnie Scott’s in 2007.

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Inspired by my birthday trip back to Belfast – and today’s ambulance strike – here is what must surely be Van Morrison’s finest moment. It’s certainly his most emotionally intense.

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This was the first big hit for Motown founder Berry Gordy (I think), and the first big hit for songwriting trio Holland-Dozier-Holland (I think) and the first big hit for Martha Reeves & The Vandellas (for sure).

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Here is a classic sixties song that I had never heard until a version by Misty Miller popped up in Lena Dunham’s excellent medieval comedy Catherine Called Birdy and sent me delving for the original.

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Here’s one of those songs I haven’t heard in years (decades?) but it comes right back to me the moment the needle touches the groove. I was never a fan of jazz-funk but you’d have to have a heart of stone, and feet of concrete, not to be moved physically and emotionally by the infectious groove, skittering bassline and blissful vocal of Southern Freeez.

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Well this is just stunning; aurally and visually, it’s breathtakingly beautiful and emotionally powerful. It’s featured in two feature films, Sicilian Ghost Story and Corsage.

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When I first heard The Allergies I assumed they must be some long-lost American band from the early seventies. In fact they are a white duo from Bristol.

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When I first heard Nina Simone sing this, and for a long time afterwards, I thought she was singing about a “Sea Lion Woman.” Some time later I found out that the song title, which appeared as the B-side of Mississippi Goddam, is actually See-Line Woman.

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Ivor Cutler was an eccentric Scottish poet whose chronicles of Life In A Scotch Sitting Room became popular during the punk era after being championed by John Peel.

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