When it comes to emotionally intense vocal performances, you don’t need to look much further than James Brown singing The Bells.

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This should be terrible. It’s a cover of a rock’n’roll standard by a one-hit-wonder known only for a novelty song half a century ago.

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There are few aural pleasures greater than accidentally stumbling across an old song you used to love that had somehow slipped from your memory. That’s what happened this weekend when I found an album comprising the early recordings of Kimmie Rhodes.

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Country music was so uncool in the Seventies that I never went near it in my youth. Until I came across Joe Ely. There was something about his debut album in 1977 that struck the same sort of chord as the ramshackle thrashings of punk. But in an American way – specifically a Texan way.

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Who was the first white artist signed to Motown? Well I always thought it was R.Dean Taylor, the Canadian who sang the great Indiana Wants Me (and Gotta See Jane and There’s A Ghost In My House). It wasn’t. I’m not sure who it was but Debbie Dean was their first female solo artist back in 1960.

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This has to be one of the best Motown deep cuts – the solitary single released on Motown by Linda Griner. The schoolgirl singer from Washington D.C. was spotted by Smokey Robinson, who also wrote the song (with The Miracles on backing vocals).

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Growing up, I knew this song as a hit single for The Carpenters in 1975. For older pop fans, it’s Motown’s first number one single by one of the first girl groups, The Marvelettes, from 1961.

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Here is a classic sixties song that I had never heard until a version by Misty Miller popped up in Lena Dunham’s excellent medieval comedy Catherine Called Birdy and sent me delving for the original.

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Here’s one of those songs I haven’t heard in years (decades?) but it comes right back to me the moment the needle touches the groove. I was never a fan of jazz-funk but you’d have to have a heart of stone, and feet of concrete, not to be moved physically and emotionally by the infectious groove, skittering bassline and blissful vocal of Southern Freeez.

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