Chant! Chant! Chant! were working-class lads from the northside of Dublin and were Ireland’s answer to Joy Division: at least that’s what their publicist would have said if they had one.

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This was the first funk I ever really “got” – I remember first hearing it in a pub on the Mile End End where there was a DJ who span tunes far removed from my usual New Wave and postpunk fare.

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Sticking with the No Wave post-disco sound of Ze Records, here is the weird, eclectic and infectious debut single by Was (Not Was).

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This is one of the most beautiful songs I’ve ever heard. I never tire of hearing it, with its shimmering echo from speaker to speaker, Green Gartside’s romantic vocal and Robert Wyatt’s syncopated piano.

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When it comes to underrated talents, Shuggie Otis should be one of the first names to come to mind. No less a judge than David Byrne rates his trippy R&B jams as “equal to Marvin and Curtis.”

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Dexys Midnight Runners came along with their energetic soul revival sound in 1979, riding the coat-tails of 2-Tone as the punk revolution began to diffuse into new sounds and hybrids.

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Even in the darkest depths of my lifelong jazzophobia I had a soft spot for Carla Bley. I’m not sure why; maybe because a female jazz musician is such a rarity.

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The Rolling Stones channel their vintage heyday with guest performers Stevie Wonder and Lady Gaga on a bluesy gospel-flavoured new tune, Sweet Sounds Of Heaven, from their new album Hackney Diamonds.

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Candi Staton had been singing in gospel groups for years when the future disco diva recorded a solo album of secular Southern soul at Muscle Shoals in 1969.

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Jamaican dancehall star Ini Kamoze started out singing roots reggae long before he topped the charts with his signature song Here Come The Hotstepper.

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