Music
Last night’s incendiary set by The Prodigy is the last one I watched at this year’s Glastonbury – and the first where I really wish I was there.
Motown songwriting legend Eddie Holland wrote, sang and produced the soul song that would one day become Motorhead’s debut single.
The sensational CMAT was the talk of Day One at Glastonbury 2025 with her superstar-making afternoon set on the Pyramid Stage.
White Noise Sound are the long-forgotten Welsh wizards of droney psychedelic shoegaze, and they are long overdue for a revival.
Grant Green is one of the great unsung heroes of jazz guitar, with an unusual “single note” style of playing.
For a while in the early Seventies, just after Glam’s holy trinity of T. Rex, Slade and Sweet had peaked, Mott The Hoople were my favourite band.
This exuberant disco-funk anthem completely passed me by at the time. I was listening to very different music when it came out in 1981.
Baxter Dury returns to the sleazy obscenity-strewn neo-disco of Miami for a comic critique of Shoreditch hipsters in Return Of The Sharp Heads.
The dusty desert drawl of Howe Gelb, matched to the twang of guitars and the shuffle of drums, is one of my favourite sounds.