Crime – Hot Wire My Heart

18th November 2023 · 1970s, 1976, Music, Punk

This lost gem from 1976 is a little piece of punk history – the first single to be released by a West Coast punk band. A double A-side of Hot Wire My Heart and Baby You’re So Repulsive (surely a contender for best punk song title), it was the debut single by a San Francisco band called Crime.

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John Martyn – Big Muff

14th November 2023 · 1970s, 1977, Music

A Carry On-style collaboration between John Martyn and Lee ‘Scratch’ Perry, Big Muff came into being at the breakfast table of Island boss Chris Blackwell.

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Wishbone Ash – Alone

13th November 2023 · 1970s, 1971, Music

Wishbone Ash were rock dinosaurs during the punk wars but they played the tiny Marquee Club one night in 1977, prior to playing Wembley Arena two days later.

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Annette Peacock’s steamy, sinuous blues-funk jam My Mama Never Taught Me How To Cook is a sultry coming-of-age tale of sexual liberation with disturbing undertones.

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One of the great singles from the punk period, Spanish Stroll has nothing much in common with the rest of the CBGBs crowd. But that’s where it came from. And it’s just a classic, with that lazily strummed guitar intro and the spoken word Spanish bit in the middle.

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I’ve never heard of Area Code 615 though I do know one of their songs without even knowing it – their number Stone Fox Chase is the theme music of the Old Grey Whistle Test. 

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Funny old time, the late 1960s. The British blues boom was coming to an end and bands were turning those 12-bar tunes into heavy rock.

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This strange but fascinating instrumental is a real one-off. I defy anyone to tell me what genre this should be filed under in a record shop. It’s got a dramatic, atmospheric vibe, as befits its status as library music, but there’s also funk lurking in there somewhere; just don’t try dancing to it.

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Lizzy Mercier Descloux was one of the first artists to make a mark on the Ze label as the No Wave movement gathered momentum in New York.

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When it comes to underrated talents, Shuggie Otis should be one of the first names to come to mind. No less a judge than David Byrne rates his trippy R&B jams as “equal to Marvin and Curtis.”

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