Diana Ross will always enjoy a special place in my affections – the Queen of Motown sang the first song on the first album I ever bought.

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Chicago blues and soul man Lou Pride recorded this Northern Soul favourite after moving down south to El Paso in 1972.

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Here’s a tune from the early days of reggae by Nora Dean, who earned herself a place in the niche genre of “naughty” reggae, best known for her saucy hit Barbwire (In His Underpants).

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Happy Hallowe’en folks! And nothing says Hallowe’en like a Northern Soul banger with a spooky title.

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The growling blues-boogie of La Grange gave ZZ Top their big breakthrough in 1973, though they were already on to their third album by then – and would go on to enjoy a second lease of life in the ’80s.

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The best thing about Television Personalities – the DIY punk band, not the narcissists on your telly – is their titles incorporating famous figures. And this song.

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Like everybody else I didn’t know whether to laugh or gasp in admiration when I first heard this. The Flying Lizards took Eddie Cochran’s 1958 hit Summertime Blues and deconstructed it to the point where the original barely existed.

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“Freedom’s just another word for nothing left to lose.” That one line summed up Kris Kristofferson’s singular songwriting skill. It was like the entire Sixties ethos in a single phrase.

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Deaf School emerged from Liverpool at the dawn of punk with a sound inspired by cabaret and classic songwriters of the past.

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It’s funny, looking back now, to recall that The Motels were sold as a “New Wave” band. This is the only song I remember – and it’s an epic ballad.

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