A sibling trio dressed in bejewelled cowboy outfits, The Gap Band were pioneers of synth-funk in the early Eighties. 
 

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Chastity Belt and 764-Hero play the same song, recorded 27 years apart by the two bands from the Pacific North West. (more…)

I don’t remember The Rose Of Avalanche as much more than a name I heard on the John Peel Show back in the mid-Eighties. But I do remember this, their debut single.

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There are deep cuts and then there are deeper cuts. This UK reggae gem by Sharon Little falls into the latter category.

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The word genius gets bandied around rather too much when it comes to musicians. But few would dispute that Brian Wilson was a genius.

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You’d be forgiven for thinking this might be a deep cut from the back catalogue of Amy Winehouse. But it’s not the Queen of Camden – Kendra Morris comes from 4,000 miles away.

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In the first half of the ’70s Brinsley Schwarz were the flag bearers of pub rock – the backlash to prog that led directly to punk. Bob Andrews played keyboards.

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Comet Gain went back to the garage for their DIY album Réalistes in 2002, with this big dirty ballad one of its highlights.

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Junior Delgado was one of the lesser celebrated figures of reggae music – with one of the most prolific and longer-lasting careers.

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Sly & The Family Stone were never funkier than on this tune, with Larry Graham’s bass to the forefront of Thank You (Falettinme Be Mice Elf Agin).

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