I wasn’t planning to watch Jools Holland’s Hootenanny on New Year’s Eve. And when I did switch over after the fireworks I certainly didn’t expect to witness an exciting new talent.

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Just as punk began to take over my musical life in 1976 this slice of smooth soul hit the UK charts. But this isn’t them… well, one of them is but the other one isn’t.

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I’ve never really been a fan of The Kinks though I’ve come to love Waterloo Sunset and Sunny Afternoon because, well, who doesn’t? And Ray Davies once walked past me coming out of Costa in Highgate so we’re *almost* friends.

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Once upon a time there was a band called Jefferson Airplane fronted by a former model called Grace Slick. But before that Grace was in a band called The Great Society and the Airplane had a singer called Signe Toly.

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I loved Ultimate Painting, who lit up my musical landscape from 2014-2018, and I loved their ambition to make music unsullied by any digital processes.

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Gram Parsons and Emmylou Harris were never romantically involved but when they sang together their voices made the sweetest love. Never more so than on this song. (more…)

Grandaddy are a unique group whose characteristic blend of swirling synths and psychedelic guitars has been wrapping fans in a warm blanket of beauty for the ears for more than 30 years.

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Norma Tanega’s song came out nearly 60 years ago but was given a new lease of life after half a century in obscurity as a TV theme as the theme music of What We Do In The Shadows.

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On the surface, this is little more than a thinly disguised rewrite of Like A Rolling Stone. But there’s something special about it too… especially that familiar guitar sound. Those licks, borrowed more or less straight from Mike Bloomfield’s on the Dylan song, are played by a young session player called Jimmy Hendrix.

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Sometimes a song seeps its way into your consciousness and just lodges there. Such was the way with this one by the Unknown Mortal Orchestra.

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