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Requiem has to be the song to remember Geordie Walker, the Killing Joke guitarist who has died. Not just for its title but for his vast metallic slabs of electric guitar that scythe through the synth bass.
Adrian Sherwood at the controls for this dub remix of Panda Bear and Sonic Boom’s 2022 album Reset, aptly titled Reset In Dub.
Bo Diddley’s heyday was long gone by 1970 and he was mostly seen as a heritage act on the oldies circuit (if at all) by the time he tackled the topical issue of Pollution. But it’s a great track.
Michael Chapman was a guitar virtuoso, acclaimed for his acoustic fingerpicking. But it’s Mick Ronson’s electric guitar that steals the show here.
Bob Dylan painted a picture of economic despair in his heartbreaking tale of a farmer driven to familicide, The Ballad Of Hollis Brown.
Virgin Prunes began life at the same time, at the same social club in Dublin, as U2 – but went in a very different direction, blending avant-garde cabaret with improvisation and experimentation.
When what the music press lazily dubbed “The Scottish Sound” emerged at the end of the Seventies, Josef K were the yin to Orange Juice’s yang – the dark underbelly to their bright and sparkly pop.
In 1980 the postpunk landscape was expanding in all sorts of new directions. Most of them had identifiable roots in punk but Orange Juice were odds with the New Wave mainstream.
I was hoping to see Fightmilk on Friday night at a night of LGBTQ+ music at the Sebright Arms, headlined by Belfast’s energetic feminist punks Problem Patterns. But because my friend Alex was late after missing his bus, and his train, I only caught their last number as they were the support act.
This lost gem from 1976 is a little piece of punk history – the first single to be released by a West Coast punk band. A double A-side of Hot Wire My Heart and Baby You’re So Repulsive (surely a contender for best punk song title), it was the debut single by a San Francisco band called Crime.
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