Kaylee Rose is a Nashville-based artist who taps into tradition with this song about a cheating partner, set to a simple backing. It’s the archetypal “three chords and the truth” – the phrase Harlan Howard used in the 1950s to sum up country music’s appeal.

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The sun has come out at last and this tune takes me back to the dancefloors of Ibiza where I wangled my way on work freebies a few times in the early ’90s.

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All-female punk band L7 made an X-rated impression on TV audiences with their first and last appearance on UK television in 1992.

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Melts are a band from Dublin that sound like the missing link between Joy Division and The Horrors, blending big post-punk guitars with psychedelic flourishes of organ and the detached vocals of Eoin Kenny.

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Keith Levene re-imagined and re-recorded PiL’s unreleased fourth album in 1984 as the mainly instrumental Commercial Zone.

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I’d never heard of JakoJako or the Dragon Bridge in Vietnam, which is the inspiration for this soothing slice of minimalist techno by the Berlin-based electronic artist.

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Not gonna deny I am biased when it comes to promoting local artists, so I make no excuse for posting Rose Gray’s tribute to our shared home borough in her ethereal techno tune Hackney Wick.

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Rave duo Altern 8 took Acid House and Rave culture into the charts in the early ’90s with their blend of outrageous outfits and infectious dance tunes.

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Max Romeo’s career spanned the early days of ska through rocksteady to fiery roots reggae with a political conscience, peaking in the mid-’70s.

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West Coast rappers Luniz had a moment in 1995 with this playful weed-smoking anthem, I Got 5 On It, a million-seller in America that also reached No.3 in the UK singles chart.

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