Abbey Lincoln was an actor, a civil rights activist and a jazz singer in the mould of her idol Billie Holiday.

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Tori Amos was such a unique voice when she came into our musical lives with Cornflake Girl, arguably the progenitor of the confessional female singer-songwriter genre.

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Fontaines D.C. reach a new high with their latest single, a euphoric hymn to youth and a plea for hope in an uncertain world – It’s Amazing To Be Young.

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Here is a sultry slice of funk, driven by a killer bassline, with the sweet sibling vocals of The Pointer Sisters from their third album Steppin’ back in 1975.

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The Jones Girls may have come from Detroit but their sweet harmonies made them synonymous with the Philly Sound. And their big breakthrough came after almost a decade when they teamed up with Philly Soul titans Gamble and Huff.

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I’ve never been a jazz-funk fan and the vibraphone would be very low on my list of favourite instruments, ranking alongside the flute and just above the ukelele. But I’d have to make an exception for Roy Ayers.

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William Bell was one of the architects of Stax/Volt soul. His debut single in 1961 helped define the classic country-soul sound of Memphis when he struck gold with his debut single.

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I was too young to see the New York Dolls in their heyday, though I saw Johnny Thunders & The Heartbreakers on numerous occasions. The closest I got to David Johansen in those early days was that historically fabulous OGWT in 1973.

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The Flirtations are one of those bands who left their native USA to find success in the UK… and then became even bigger back in America.

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Roberta Flack sang two or three of the greatest and most ubiquitous songs in what you might call the Easy Listening Soul genre. But there was much more to her than that. A fantastic afro, for one thing; and the middle name Cleopatra for another… and this tune.

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