After becoming a star with Harvest, Neil Young got back together with Crazy Horse for Zuma, creating the epic guitar extravaganza of Cortez The Killer. (more…)

I discovered Can at the same time as I discovered Faust and Gong. My reason was not a sudden interest in the avant-garde at the age of 16. It was far more simple than that. (more…)

Some time in the summer of 1975 ads began appearing with the picture of a bloke I’d never seen or heard and the words: “I saw rock and roll future and its name is Bruce Springsteen.” (more…)

By my mid-teens my musical interests were moving away from the singles chart and I was looking for something more substantial. Bob Dylan provided an answer.
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Pink Floyd’s next album after Dark Side Of The Moon made an even greater impace on me when I playe it for the first time, just after I left school. (more…)

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Sailor seemed like a homegrown version of Sparks when they steered into the spotlight at the end of 1975 with Glass Of Champagne, led by a real Russian prince. (more…)

This may have been my introduction to folk music. I was a bit late, considering it’s a nineteenth-century song, though it goes back even further than that in its inspiration. (more…)

This might not be not my favourite Bowie song but it is, for my money, the most perfectly produced song of all time. (more…)

No one had a voice quite like Esther Phillips, with that distinctive Minnie Mouse twang, which is why I remember her only hit – this disco classic from the Seventies – so well. (more…)