1976
The Flamin’ Groovies relaunched themselves in the UK after a five-year hiatus in 1976 – supported by a new band called The Ramones.
I’ve loved Mexican music for a long time and the first time I heard it was on Ry Cooder’s 1976 album Chicken Skin Music. And the songs that stood out were the ones featuring the accordion of Flaco Jimenez.
Michael Rose recorded a solo version of his song before joining Black Uhuru and re-recording it with the band, becoming one of their signature songs. (more…)
The Numbers Band (or, if you prefer, 15-60-75) formed in Ohio in 1969 and are still going strong with original frontman Robert Kidney.
This power pop pastiche of Phil Spector brought pub rockers The Kursaal Flyers their only hit record in 1976. Which is ironic as they had another great song earlier in their career actually called Hit Records.
Deaf School emerged from Liverpool at the dawn of punk with a sound inspired by cabaret and classic songwriters of the past.
It’s fair to say that Poco are mostly a forgotten name today, but here they are out-Eagling The Eagles with their country-fried vocal harmonies.
I’ve only just found out that Ply Styrene – back when she was Marianne Elliott-Said – was making music before X-Ray Spex. Music like this.
For all my abiding love of The Velvet Underground, I’d have to concede that Lou Reed’s solo career has been inconsistent, and his albums a patchy representation of his talent.
This lost gem from 1976 is a little piece of punk history – the first single to be released by a West Coast punk band. A double A-side of Hot Wire My Heart and Baby You’re So Repulsive (surely a contender for best punk song title), it was the debut single by a San Francisco band called Crime.