It’s a shame… but after 70 years together, The Detroit Spinners are finally no more. Henry Fambrough was the last surviving original member of the group who were born in the Motor City but came to define the lush Philly sound. (more…)
I discovered Can at the age of 16, back when I was at school. Not because I was some sort of cool avant-garde kid but purely because they put out an album for a cut-price 59p.
When I heard this infectious slice of Northern Soul on the radio I thought two things: first that it was by a black dude, and secondly that it was a reaction to the state of the world today. Wrong on both counts.
Last night I went to see music legend Michael Rother and took my chum and self-styled (kraut) ‘rock expert’ David Stubbs along to the Barbican to help me identify some of the tunes.
Here is the MC5’s infamous hometown performance by a Detroit highway in July 1970. Thirty-four years later I finally got to see them play for myself.
I’ve only just found out that Ply Styrene – back when she was Marianne Elliott-Said – was making music before X-Ray Spex. Music like this.
This really is a proper deep cut from Gene Clark’s long-forgotten fourth album No Other from back in 1974. Long forgotten for many years, but now regarded as something of an underground classic.
There are two equally spellbinding versions of this haunting lament to lost love and innocence, by two different singers, and ever since I first heard them I’ve been unable to decide which is the best. The problem is that they’re not all that different, and of course there’s no need to pick one over the other.
Archie Bell & The Drells – (There’s Gonna Be A) Showdown
24th January 2024 · 1970s, 1973, Music, SoulThis was the first tune I heard by Archie Bell & The Drells when it was a hit single in 1973. It’s very different from the sprightly funk jam of Tighten Up which put them on the soul and funk map five years earlier. For that matter it’s different to the Northern Soul stomper Here I Go Again that gave them their first UK hit at the end of 1972.
The only thing wrong with this slice of psychedelic funk is that it’s too short; far too short. Put all three parts together and the whole thing is less than two and a half minutes long.
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