Here’s some more French punk: Stinky Toys may have been the first, Métal Urbain were the crème de la crème.

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French punk… who knew?! Well, anyone who went to that seminal Punk Festival at the 100 Club back in 1976, where Stinky Toys played alongside the Pistols, Clash, Damned and Buzzcocks – and were attacked onstage by Sid Vicious.

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Today, at long last, the sun is out and as so often my thoughts – and ears – turn to reggae. Today they turn to Jacob ‘Killer’ Miller.

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Nick Lowe really ought to be a national treasure. A key figure in pub rock and punk rock in the Seventies, for some of us he already is.

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Magazine had a near-hit with Shot By Both Sides in January 1978. It’s arguably the first post-punk single – and certainly one of the best of that year.

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James Hines is one of the more fascinating figures of funk and soul – a six-foot-seven, 300-pound, legally blind albino guitarist, producer, composer who became a preacher after getting his sight back.

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This came out in 1977 when I was pogoing in a seedy cellar somewhere to a snotty young band that sounded nothing like this. But if you love soppy soul ballads, with a sweet singer emoting at the top of his range and backing vocalists echoing his heartfelt words back at him, then this is for you.

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The Undisputed Truth were Norman Whitfield’s Motown laboratory for his psychedelic soul constructions, testing out songs that would end up with The Temptations. This was their only hit.

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This should be terrible. It’s a cover of a rock’n’roll standard by a one-hit-wonder known only for a novelty song half a century ago.

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Country music was so uncool in the Seventies that I never went near it in my youth. Until I came across Joe Ely. There was something about his debut album in 1977 that struck the same sort of chord as the ramshackle thrashings of punk. But in an American way – specifically a Texan way.

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