Pere Ubu came out of Cleveland in the mid-Seventies with an abrasive avant-garde sound unlike anyone before or since. This was their remarkable debut.

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Cabaret Voltaire were England’s answer to Suicide, and a key component in the development of industrial and dance music.

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I love Suicide. They were punks before punk and their debut album is the template for nearly all the electronica to emerge since its release in 1977. This is their first release – the version of Rocket U.S.A. that appeared on the Live At Max’s compilation the year before. And this is the article I wrote for The Quietus when Alan Vega died in 2016:

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Not even hardcore punks from the Class of ’77 are likely to remember Kleenex – Switzerland’s solitary contribution to punk. Or their two singles on Rough Trade that went on to inspire the Riot Grrrl movement.

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You can imagine how hilarious it was when I was a schoolboy to discover there was a rock group called Fanny. Adding to the overall hilarity, they were GIRLS. (more…)

The Slits’ debut Cut has come to be regarded as one of the classic post-punk albums. But they sounded nothing like that whenever I saw them live: for the first couple of years they were widely mocked as a joke band. (more…)

Here’s a recording that never gets mentioned in lists of the best cover versions… but it probably should. It takes the Righteous Brothers song in an entirely new direction. (more…)

I didn’t realise my copy of Echo & The Bunnymen’s debut single, The Pictures On My Wall, was one of a limited edition of 4,000. I bought it in May 1979 and a few months later I went to see them for the first time at the Electric Ballroom in Camden. (more…)