Let’s travel back to Jamaica in 1983 for Sister Nancy’s irrepressible dancehall reggae anthem Bam Bam, bringing a ray of sunshine to a cold winter’s day.

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When I think of funk, this is the sound I hear in my head. The fat bass (is that the “phat” bass?), the hissing hi-hats, the waka-waka guitar licks, the muffled exhortations of the vocalist… put it all together and that’s The Fatback Band.

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When I first heard them 40 years ago, I thought the Jesus And Mary Chain were the most exciting new band I’d heard since The Sex Pistols. They still sound great in 2023.

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Merry Clayton is best known for her gospelly backing vocals on the Stones’ anti-war anthem Gimme Shelter, wailing in harmony with Jagger. But there was much more to her than that.

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Requiem has to be the song to remember Geordie Walker, the Killing Joke guitarist who has died. Not just for its title but for his vast metallic slabs of electric guitar that scythe through the synth bass.

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Bo Diddley’s heyday was long gone by 1970 and he was mostly seen as a heritage act on the oldies circuit (if at all) by the time he tackled the topical issue of Pollution. But it’s a great track.

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Virgin Prunes began life at the same time, at the same social club in Dublin, as U2 – but went in a very different direction, blending avant-garde cabaret with improvisation and experimentation.

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When what the music press lazily dubbed “The Scottish Sound” emerged at the end of the Seventies, Josef K were the yin to Orange Juice’s yang – the dark underbelly to their bright and sparkly pop.

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In 1980 the postpunk landscape was expanding in all sorts of new directions. Most of them had identifiable roots in punk but Orange Juice were odds with the New Wave mainstream.

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This lost gem from 1976 is a little piece of punk history – the first single to be released by a West Coast punk band. A double A-side of Hot Wire My Heart and Baby You’re So Repulsive (surely a contender for best punk song title), it was the debut single by a San Francisco band called Crime.

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