Requiem has to be the song to remember Geordie Walker, the Killing Joke guitarist who has died. Not just for its title but for his vast metallic slabs of electric guitar that scythe through the synth bass.

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Bo Diddley’s heyday was long gone by 1970 and he was mostly seen as a heritage act on the oldies circuit (if at all) by the time he tackled the topical issue of Pollution. But it’s a great track.

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Virgin Prunes began life at the same time, at the same social club in Dublin, as U2 – but went in a very different direction, blending avant-garde cabaret with improvisation and experimentation.

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When what the music press lazily dubbed “The Scottish Sound” emerged at the end of the Seventies, Josef K were the yin to Orange Juice’s yang – the dark underbelly to their bright and sparkly pop.

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In 1980 the postpunk landscape was expanding in all sorts of new directions. Most of them had identifiable roots in punk but Orange Juice were odds with the New Wave mainstream.

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This lost gem from 1976 is a little piece of punk history – the first single to be released by a West Coast punk band. A double A-side of Hot Wire My Heart and Baby You’re So Repulsive (surely a contender for best punk song title), it was the debut single by a San Francisco band called Crime.

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Annette Peacock’s steamy, sinuous blues-funk jam My Mama Never Taught Me How To Cook is a sultry coming-of-age tale of sexual liberation with disturbing undertones.

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One of the great singles from the punk period, Spanish Stroll has nothing much in common with the rest of the CBGBs crowd. But that’s where it came from. And it’s just a classic, with that lazily strummed guitar intro and the spoken word Spanish bit in the middle.

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Slate are a young post-punk quartet from Cardiff barely out of their teens. With their love of poetry and epic widescreen sound, they could be the Welsh Fontaines D.C.

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When Elvis Costello brought out an album of country cover versions in 1981 – remarkably, his sixth album in four years – my music world was turned upside down.

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