This funky tale of a vengeful black god coming to fix the injustices of the world comes from another of those lost masterpieces – an obscure album of jazz-funk matched to black-consciousness lyrics called Headless Heroes of the Apocalypse.

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The deepest of deep cuts, this little-known cover of a little-known soul song is one of the hidden gems in Bowie’s repertoire.

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This laid-back easy-listening gem is redolent of summer sunshine. And, you may say, cheese. But I like cheese.

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I’d never heard of The Bears until I began reading Richard Norris’s memoir, Strange Things Are Happening, and came across their debut single, On Me.

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Black Uhuru were everywhere in the late ’70s. It seemed they would step into Bob Marley’s shoes after his death in 1981 – only for their lead singer, Michael Rose, to leave the group.

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Even though The Velvet Underground are my favourite band I think I’ve only listened to their fifth album once. Maybe not even once. Until now.

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Patti Smith’s Horses – my favourite record for much of my life – plays a part in a couple of key scenes in Wim Wenders’ wonderful film Perfect Days.

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The summer of ’79 witnessed one of those rare occasions when a reggae song struck a chord with the entire nation – and was the first lover’s rock tune to be sung on Top of the Pops. Dennis Bovell wrote, produced and played the music on Janet Kay’s lover’s rock classic Silly Games – then stripped it back to this killer dub. (more…)

There’s a film in cinemas right now about a long-forgotten British funk band called Cymande, who disappeared 50 years ago and have decided to reform. Change one or two details – replace 50 with 40 and change funk to dub reggae – and you could be talking about Creation Rebel.

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