This dirty, primitive, fuzzed-up slice of vintage RnB from comes from four smooth-looking black fellows called The Dyna-Sores.

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Just as punk began to take over my musical life in 1976 this slice of smooth soul hit the UK charts. But this isn’t them… well, one of them is but the other one isn’t.

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I’ve never really been a fan of The Kinks though I’ve come to love Waterloo Sunset and Sunny Afternoon because, well, who doesn’t? And Ray Davies once walked past me coming out of Costa in Highgate so we’re *almost* friends.

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Once upon a time there was a band called Jefferson Airplane fronted by a former model called Grace Slick. But before that Grace was in a band called The Great Society and the Airplane had a singer called Signe Toly.

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Norma Tanega’s song came out nearly 60 years ago but was given a new lease of life after half a century in obscurity as a TV theme as the theme music of What We Do In The Shadows.

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On the surface, this is little more than a thinly disguised rewrite of Like A Rolling Stone. But there’s something special about it too… especially that familiar guitar sound. Those licks, borrowed more or less straight from Mike Bloomfield’s on the Dylan song, are played by a young session player called Jimmy Hendrix.

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Here’s a sweet slice of Northern Soul to warm the cockles of the heart on the longest night of the year. Listen carefully and you can hear the guitar of future Fleetwood Mac member Bob Welch.

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I thought I knew everything by The Rolling Stones but I’d never heard this song from Their Satanic Majesties Request ’til this morning, when it was chosen on the radio by Thurston Moore.

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Bob Dylan painted a picture of economic despair in his heartbreaking tale of a farmer driven to familicide, The Ballad Of Hollis Brown.

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Donovan teamed up with the Jeff Beck Group and producer Mickie Most in 1969 to make the album Barabajagal, spawning his last hit single.

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