I have no idea who The Webs are. All I know is that this gut-wrenching soul ballad came out in 1968 and that it’s a real heartbreaker.

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The Remains made one of the best tunes to feature on the Nuggets anthology of ’60s garage rock, but never made a mainstream breakthrough.

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Ronnie Spector was already a star with The Ronettes when Phil Spector launched his new label with her first solo single under the name ‘Veronica’.

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Isaac Hayes is such a natural star: muscular and shaven-headed with a deep and surprisingly sensitive voice, underpinned by funky, lavishly orchestrated jams.

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Colosseum were a prog band formed by former members of John Mayall’s Bluesbreakers and the Graham Bond Organisation. This was their only single.

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Farewell to a musical legend of the early ’60s who grew up in my back yard of Stoke Newington, and found success in the pre-Beatles era with Joe Meek, North London’s own DIY Phil Spector.

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Max Romeo’s career spanned the early days of ska through rocksteady to fiery roots reggae with a political conscience, peaking in the mid-’70s.

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Sandie Shaw scored her last of her eight Top Ten hits with her 21st single, Monsieur Dupont, in 1969.

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What a voice! That’s the first reaction I had when I first heard unsung Southern soul legend James Carr singing this. And I’m sure I’m not alone.

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Albert King had been making records for more than a decade when the blues legend recorded his signature song Born Under A Bad Sign in 1967.

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