I don’t know a darn thing about Jacqueline Jones, and I can’t find anything out on the Interweb. No biographical details, no other tunes. But what a voice! 

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Tina Turner’s career might never have got started if a backing singer had not failed to turn up for a recording session of this song in 1960.

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Aretha Franklin had a US hit with one of Elton John’s early flops, Border Song, when she put it out in 1972 – two decades before they sang it together.

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Soul singers don’t come much better than Marvin Gaye and this deep cut comes from a session in 1967 – the year he brought us his best known tune, I Heard It Through The Grapevine.

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Soul singer Al Wilson had a hit with this anti-racist allegory before Donald Trump appropriated it 50 years later as an anti-immigration parable. Because he’s an idiot.

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I don’t know if psychedelic drugs were involved in the making of this song but I would be highly surprised if they weren’t. Then again, just listening to it is a mind-bending trip.

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Los Angeles soul trio Sly, Slick & Wicked are one of two obscure vocal groups to name themselves after a 1970 single by The Lost Generation.

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Darrell Banks had one of the greatest voices in soul music – and plagiarised his biggest hit from the equally great Donnie Elbert in their hometown of Buffalo, New York.

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I only really know Donnie Elbert for his trio of hits in 1972, when he hit the UK charts with versions of Where Did Our Love Go, I Can’t Help Myself and the Northern Soul classic A Little Piece Of Leather. This slow-burning soul number from way back in 1960 is a very different affair – though Donnie’s remarkable falsetto remains in place.

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This slow-burner, with its smouldering brass decorated by guitar licks, is a classic example of the steamy New Orleans hybrid of blues, soul and jazz. A bittersweet ballad of betrayed love written by Al Reed, Danny White’s emotive vocals perfectly articulate the emotion in the lyrics.

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