Music
On a steamy summer’s day, who doesn’t enjoy a bit of soca music? Well I do, but I’ll admit I don’t know much about it beyond what seems to have become the Notting Hill Carnival’s signature tune, Arrow’s infectious singalong tune Hot Hot Hot.
Unlike some other old punks of my acquaintance, I am no longer a fan of being hectored by angry men thrashing guitars and pummelling drums into oblivion.
Glasgow reggae collective Mungo’s Hi Fi team up with toaster Pupajim for a celebraton of two-wheeled transport in the catchy Bike Rider.
I love it when a group lives up to its name. And rarely, if ever, has a group lived up to its name as much as Alogte Oho & His Sounds Of Joy. It’s written all over their faces, it’s in every note they play and sing, and it’s in every sinuous groove their bodies make.
This came on the radio the other day and reminded me that, for all its faults, disco had some memorable moments. This sci-fi-themed single was one.
Rudies don’t fear… This rude boy anthem is the first and best-known of all rocksteady tunes to come out of Jamaica when ska began its evolution towards reggae in the mid-1960s.
Being somewhat jazz-hesitant, if not an outright jazzophobe, especially when it comes to the F-word – “fusion” – I obviously haven’t heard of Alphonse Mouzon before.
This song has been covered numerous times by a who’s who of soul singers. This is the original – the first of two versions by bluesman Latimore – from 1974.
Jonathan Richman & The Modern Lovers performing their biggest hit single, the instrumental Egyptian Reggae, on Dutch TV in 1978.
Here’s a blast of primal punk… no, wait. Not that. It’s the theme music of Douglas Sirk’s magnificent film Written On The Wind, written by Sammy Cahn and sung by The Four Aces.
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